PLANET OF THE KOALAROOS
A wonderful live action comedy spoof inspired by Planet of the Apes and featuring humanoid kangaroos and koala bears, collectively known as the Koalaroos and ruling a post-apocalyptic Earth where only Australia has survived and few humans remain in that land down under of Kylie Minogue, Aborigines, shrimp on the barbie, Fosters beer, and random violence...
HEATHER D'OMBRAIN (Prototype)
The angelic Taylor Swift starring as an all-American astronaut and nepotism baby due to her famed astronaut daddy.
ROSS KAVANAUGH (Prototype)
The uber talented Justin Timberlake starring as a smug yet likable astronaut with dashing good looks and a charisma to match.
DERRY DONNINGTON (Prototype)
That global icon known by one name, that name being Drake, starring as a wise cracking black American astronaut who finds himself a part of an ill-fated mission.
VICKY (Prototype)
That sweet and sexy songstress from Tennessee known as Miley Cyrus, starring as a sarcastic yet attractive female astronaut with a flare for the dramatic.
KYLIE MINOGUE (Prototype)
The godess known as Kylie Minogue starring as her self in this spoof that features her as the 20th and 21st century Aussie music icon awoken from her cryogenic sleep by the lustful Emperor Roo.
IGGY AZALEA (Prototype)
The one and only Iggy Azalea, starring as her self, likewise awoken from her crygenic sleep by the lustful Julius Roo.
KOALA RAMBO (Prototype)
The Emperor's pint-sized Koala assasin.
JULIUS ROO (Confirmed)
The superfluously talented Xiyad Quwais in a star turn performance as the lustful despotic Kangaroo that rose to power after the humans were mostly wiped out.
BEN SERESIN (Prototype)
A master cinematographer. Ben Seresin is a New Zealand cinematographer best known for his work on Transformers: Revenge of the Fallen (2009), Unstoppable (2010), World War Z (2013), and Godzilla vs. Kong (2021). For his work on Unstoppable, he was nominated for the Satellite Award for Best Cinematography in 2010. Seresin is a member of the British Society of Cinematographers (BSC) since 2010, and the American Society of Cinematographers (ASC) since 2011.
PIETRO SCALIA (Prototype)
A film editor of the finest calibre. Though he's cut celluloid for some of the best in the business, chances are many film lovers wouldn't even recognize the name Pietro Scalia in a lineup of Hollywood's best film editors. Born in Sicily in 1960, Scalia resided in Switzerland before heading to Los Angeles to continue his education. After receiving his M.F.A. in Film and Theater Arts from U.C.L.A. in 1985, Scalia began his career as an assistant editor to Oliver Stone on such features as Wall Street (1987) and Talk Radio (1988). Later coming into his own with such films as JFK (1991) (for which he received a Best Editing Oscar) and Sam Raimi's The Quick and the Dead (1995), Scalia continued to work on such high-profile films as Stealing Beauty (1996) and G.I. Jane (1997). Scalia also received Best Editor Oscar nominations for Good Will Hunting (1997) and Gladiator (2000), though he would have to wait until the following year for his next win at the Oscars, as he received the Best Editing Award for director Ridley Scott's Black Hawk Down (2001).
ARTHUR MAX (Prototype)
A Production Designer of the highest calibre. A Manhattan born New Yorker, Arthur worked as a Stage Lighting Designer in the late 1960s and early 1970s in the music industry, and then, after studying architecture in England and Italy, went on to do several architectural design projects in London. He entered British film as an assistant to several British Production Designers in the mid-1980s. First for Stuart Craig on Greystoke: The Legend of Tarzan, and Cal (both 1984) and then for Ashetton Gorton on Revolution (1985). His Production Design career began with TV commercials during the years1985-1995 for many different Directors, including Ridley Scott and David Fincher, with whom he would go on to collaborate on feature films.
DANNY ELFMAN (Prototype)
A music composer of the highest order. As Danny Elfman was growing up in the Los Angeles area, he was largely unaware of his talent for composing. It wasn't until the early 1970s that Danny and his older brother Richard Elfman started a musical troupe while in Paris; the group "Mystic Knights of Oingo-Boingo" was created for Richard's directorial debut, Forbidden Zone (1980) (now considered a cult classic by Elfman fans). The group's name went through many incarnations over the years, beginning with "The Mystic Knights of the Oingo Boingo" and eventually just Oingo Boingo. While continuing to compose eclectic, intelligent rock music for his L.A.-based band (some of which had been used in various film soundtracks, e.g. Weird Science (1985)), Danny formed a friendship with young director Tim Burton, who was then a fan of Oingo Boingo. Danny went on to score the soundtrack of Pee-wee's Big Adventure (1985), Danny's first orchestral film score. The Elfman-Burton partnership continued (most notably through the hugely-successful "Batman" flicks) and opened doors of opportunity for Danny, who has been referred to as "Hollywood's hottest film composer".
XIYAD QUWAIS
Auteur screenwriter and filmmaker Xiyad Quwais is the creator of Planet of the Koalaroos, and a proud Angelino of Loco Angeles, California. He grew up in different countries, in several different cities and towns, and on three different continents. A bi-racial child with an eclectic ethnic heritage, Quwais draws creative inspiration from his diverse heritage and nomadic lifestyle that has seen him criss-cross the globe on an odyssey of self-discovery.
A well travelled and astute man, Quwais is first and foremost a superfluously talented screenwriter who is often imitated, but only duplicated by the plagiarizing parasites that are plaguing the industry. He's also an actor, film director, and film producer. He began writing screenplays after seeing the Hugh Laurie film, "Maybe Baby" back in 2001, and that led to a logical progression years later, into acting and directing. He made his debut in a short film titled, "Revenge X" back in 2010, before returning to America. Sadly, it would be seven long years before he would follow it up, but he did it in style with his feature film debut, the remarkable neo-noir silent film, "Grenade". In both films the production consisted of a "one-man cast and crew"... Quwais himself. Then later in 2017 he wrote, produced, directed and starred in "Subversive". And in 2019, "Stultus Nothi", a follow-up to 2017's "Subversive" which was screened at film festivals in Europe and in the Middle East.
Quwais has managed to develop accomplished skills as a screenwriter and filmmaker despite the fact that he has never attended any formal film school. And with a lifelong obsession for cinema, Quwais credits Alfred Hitchcock and Orson Welles as influences in his filmmaking philosophy. A star waiting to shine and in his own narcissistic words, "A creative gigantaur walking the land of creative midgets", Quwais is blessed in victory and is working on several projects, including one in Arabic and planned for the Middle East called "Tajir Al Bunduqia". it will be an Arabic take on Shakespeare's "Merchant of Venice"
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